Textile Art

Collaborations with Anonymous #2

Since my favorite art supply is randomness, I’ve started an embroidery project wherein I “rescue” (purchase) incomplete embroideries from thrift shops and then take them to completion in my own way.

I should say this is far from my original idea. I’ve read about people doing things like this, most notably Shannon Downey’s “Rita’s Quilt” project.

So here’s the piece in its original form, and where I took it. The picture on the left was taken on July 22nd, and on the right, on August 23rd. (When I realized it was exactly a month of work, I tried to call it done because I do like date symmetry. But it needed some more the next morning, so alas.)

My project isn’t to try to suss out what the original embroiderer had in mind, but rather to use it as a jumping-off place.

To add a level of complexity, I’m using mostly fiber I’ve also purchased at reuse stores, thus also from abandoned projects. Full disclosure, I do supplement with my own stash, some of which was bought new! I like to use a variety of threads and textures — so the original embroidery was made in yarn, I’ve used silk thread, regular cotton embroidery thread, perle cotton and sashiko thread. I also threw a little applique in there — the fabric pieces were sourced from Fabscrap.



Our Town Newspaper Story on Embroidered Journals!

Fun!

For those who love books as art–or books and art–a visual and tactile treat awaits as Greenwich Village-based artist Alison J. Stein works feverishly to stitch, snip and appliqué a growing stack of delightfully-designed booklets that will eventually be exhibited as books without paper.

Local Artist Alison J. Stein Prepares to Unveil New Works: Embroidery Books Our Town, January 30th, 2023.

And a few extra images of the books for your viewing pleasure:

Fiesta Flora in Mexico City

In 1908, the ladies of San Angel, a neighborhood in Mexico City, dressed up in their finest, and covered themselves with flowers. They also so adorned their carriages, and their parasols, and their horses and their houses — and who knows what else. This all was for the first Fiesta Flora, or flower festival, during which minimalism was unknown, and thanks goodness for that!

When I visited just before the pandemic, then neighborhood’s Museo de El Carmen displayed a series of compelling black and white photos documenting what must have been some very fragrant proceedings! Here’s one of them:

My rusty Spanish precludes me from learning too much more about this event, but I’ve returned to these photos a number of times in the years (!) since. And This was the inspiration behind this textile piece which I worked on this past summer. It’s embroidery plus applique on vintage fabric, stretched on a 10x10 inch canvas.

It was fun to make all kinds of flowers with thread — I made almost every kind I know how to do! (I probably could have squeezed in a few more if I was really in the spirit, although I’m aware no one would accuse me of creating minimalist art.)

Here’s an area of detail from the lower left. French knots are the best.

Detail